Francis Ford Coppola Winery & Outside Lands present A Benefit For San Francisco Recreation and Parks Department featuring BROKEN SOCIAL SCENE will perform at The Independent for an Outside Lands Night Show on Friday, August 10th!
Tickets for this show are SOLD OUT, thank you!
* 100% of ticket sales will be donated to benefit the San Francisco Recreation and Park Department
This event is 21 and over.
Listen to BROKEN SOCIAL SCENE:
About BROKEN SOCIAL SCENE:
“I don’t want to go out there being presumptuous,” Kevin Drew says, “because, I’ve worn those presumptuous shoes before, and you don’t want it to feel like, ‘Oh, what a let-down.’” That’s the fear when you bring back one of music’s most beloved names seven years after their last album. But with Hug of Thunder, the fifth Broken Social Scene album, Drew and his bandmates have a right to feel presumptuous.
Recording finally began in April 2016 at The Bathouse studio on the shores of Lake Ontario, with later sessions in Toronto and Montreal, before the group went right back to basics. “It was very beautiful the way that it ended in Charlie’s little rehearsal garage space,” Drew says, “after going to all these studios. We just worked there, doing back-up vocals and handclaps and all the shit we used to do when we were younger.” And then it was to Los Angeles, where the album was mixed.
The result is a panoramic, expansive album, 53 minutes that manages to be both epic and intimate. In troubled times it offers a serotonin rush of positivity: “Stay Happy” lives up to its title, with huge surges of brass that sound like sunshine bursting through clouds. “Gonna Get Better” makes a promise that the album is determined to deliver. That’s not to say it’s an escapist record: Broken Social Scene are completely engaged, wholly focussed, and not ignoring the darkness that lurks outside. But there is no hectoring, no lecturing, but a recognition of the confusion and ambiguity of the world. As the title track closes with Leslie Feist murmuring “There was a military base across the street,” the listener is caught in the division between the notional security provided by national defence, and the menace of the same thing.